Built for the Shot

A Car That Earns Its Screen Time

The Porsche Panamera is a genuine hero car — sculpted lines, a commanding stance and a finish that holds up under lighting. We present it detailed and camera-ready for every booking, so your team can shoot without spending the first hour cleaning wheels.

Perfect For

Working With Us

• The vehicle arrives detailed and presentation-ready
• A professional chauffeur stays with the car throughout the booking
• Static and location work by arrangement — share your plan and we'll confirm what's possible
• Half-day and full-day bookings, with flexibility for overruns where we can
• Talent transfers can be combined with the same booking

Any filming that needs road closures, permits or specialist rigging is your production's responsibility to arrange — tell us early and we'll work to your schedule.

Booking & Notice

We recommend at least 48 hours' notice for media events so we can confirm availability and prepare the vehicle. The earlier you book, the more likely we can guarantee a chauffeur and car for your shoot dates. Pricing is quoted per booking based on duration, location and requirements.

What You're Actually Booking

Worth being clear, because it varies by production: you're booking the car and a chauffeur, for a period of time, at a location you specify. The vehicle arrives detailed and camera-ready, and it stays with a driver who is responsible for it.

That suits most shoots well. It means the car can be repositioned between setups without anyone on your crew needing to be insured to drive it, and it means somebody present is responsible for moving it, parking it and keeping it out of the way when it isn't wanted. It does mean we don't hand over keys — the car is not supplied unaccompanied.

If your shoot needs the vehicle driven on camera by talent, or requires rigging, tracking mounts, or anything attached to the bodywork, tell us at enquiry stage. Some of it is possible with the right preparation, some isn't, and finding out on the day helps nobody.

Half Days, Full Days and Overruns

We work in half-day and full-day bookings, with flexibility for overruns where the schedule allows. Shoots overrun — that's a fact rather than a complaint — so the useful thing is to tell us early in the day if it's heading that way. If we know by early afternoon, extending is usually straightforward. If it arrives as a request at wrap, it depends entirely on what's booked next.

For multi-day shoots, book the whole run in one request using the Date Range or Multiple Days options. It's more likely to secure the same vehicle throughout, which matters for continuity if the car appears on camera across several days.

Locations, Access and Presentation

Tell us the location properly at booking — not just the postcode, but the access. Studio car parks, private estates, filming permits and restricted streets all affect whether we can actually get the vehicle where you need it, and a unit base half a mile from the shot is a problem worth discovering in advance.

We present the car cleaned and polished for every booking so your team isn't spending the first hour of the day on wheels and glass. If the vehicle needs to look a specific way — pristine for a hero shot, or deliberately less so — say which. We can control the former reliably; the latter needs discussing.

London shoots should also account for Congestion Charge and ULEZ, which are charged at cost where they apply, and for the reality that central London locations rarely allow a vehicle to sit unattended. Journeys outside London are available with advance notice, including longer runs across mainland UK.

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